Totally Gothic & Totally Glyphic
By Zuzana Licko
These illustrations were first published in 1990 in Emigre 15
As with many of my early designs, Totally Gothic started from a bitmap. In
those days, aliased bitmaps were state of the art, and I was experimenting
with their possibilities. One of these experiments began as a blackletter
bitmap, which was not so interesting in itself, but when I applied
PostScript outlines around the shapes, this was the impetus for Totally
Bitmap experiment, with autotrace applied.
Several surprising shapes were generated. The essence of these forms is the basis fo the Totally Gothic design.
The resulting Totally Gothic design.
Totally Gothic is my 20th century interpretation of the blackletter style. "... why did letter press type start to look a certain way, and why was that eventually accepted as being legible? Not because people were reading the type off the bed of the letterpress. They were still reading it off the printed page. That didn't have anything more to do with casting lead than it does with computer chips today, but that's where it came from, and that's what we've gotten used to. It's the same with Blackletter, which was at one point more legible to people than humanist typefaces... two hundred years from now, who knows?"
Excerpt from interview with Rudy VanderLans, published in 1990 in Emigre 15.
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